Pianist: Kathleen Kelly “played divinely, as if she were hearing the music in orchestral colors, and acquitted herself in each musical style with convincing authority” – Opera News. Kathleen has appeared nationally and internationally as a recital accompanist, notably at Vienna’s Musikverein, New York City’s Weill Hall, and the Kennedy Center. Her partners … Continue Reading →
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A great face for radio
I am going to be on the panel for the March 1 installment of the MET Opera Quiz! The opera on tap is Prince Igor, so I’d better study up. It’s hard to express how exciting this is to me. I used to be glued to the radio broadcasts in high school … Continue Reading →
The Rules of Engagement
My fellow UT prof David Small and I rehearsed this morning for our Valentine’s Day recital, which we’re entitling “Mars and Venus: The Rules of Engagement.” The first half is comprised of texts dealing with war, including songs by Ives, Butterworth, Weill, and the stunning “War Prayer” composed by our … Continue Reading →
The Demon Barber of Robert Dedman Drive
Here in Austin the Butler Opera Center is gearing up for performances of Sweeney Todd this weekend. We’re doing it with the reduced orchestration, which is truly remarkable – I am always impressed by the amount of color and sheer sound that can come from a small group. It’s a very spare … Continue Reading →
Great week in DC
I’m winding up another wonderful week with the artists of the Domingo-Cafritz program at Washington National Opera. It’s a busy time at the house. While we worked on everything from Rosenkavalier to Traviata to Nozze di Figaro to Magic Flute (in a cool new English adaptation by Kelley Rourke, who’s … Continue Reading →